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You know what makes that possible? From the dawn of Impressionist art to the future of Snapchat, from small-scale Etsy entrepreneurs to the origin of Star Wars, Derek Thompson tells the fascinating story of how culture happens - and where genius lives. In Hit Makers, Atlantic Senior Editor Derek Thompson puts pop culture under the lens of science to answer the question that every business, every producer, every person looking to promote themselves and their work has asked. The Great Gatsby is not about the appeal of a man who favors bright colors and bold gestures. Drawing on ancient history and modern headlines - from vampire lore and Brahms's Lullaby to Instagram - Thompson explores the economics and psychology of why certain things become extraordinarily popular. Check out our introduction to this subtle man: Two shining, arrogant eyes had established dominance over his face, and gave him the appearance of always leaning aggressively forward … you could see a great pack of muscle shifting when his shoulder moved under his thin coat. With an effort she glanced down at the table. But moving on to more modern works, Wickham also uses The Great Gatsby as an example of an excellent, unsubtle work. Most exchanges are more along these lines: People gravitate towards familiar surprises: She had told him that she loved him, and Tom Buchanan saw. While technology might change, he shows, our innate preferences do not, and throughout history hits have held up a mirror to ourselves. Jay Gatsby comes out and says what he means, even when it means spelling out the themes of the book. But secondly, Wickman is missing a vital point of the novel. Whether he is uncovering the secrets of JFK and Barack Obama's speechwriters or analysing the unexpected reasons for the success of Fifty Shades of Grey, Thompson goes beyond the cultural phenomena that make the news by revealing the desires that make us all human.
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Drawing on ancient history and modern headlines - from vampire lore and Brahms's Lullaby to Instagram - Thompson explores the economics and psychology of why certain things become extraordinarily popular. Further, the example he cites is one of the only passages in which a character outright says what they mean. It was a body capable of enormous leverage — a cruel body.