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Crystal storm stripper

Throughout the book, readers will find essential profiles of famed performers, including Gypsy Rose Lee, "the Literary Stripper"; Lili St. Seligson introduces us to the proud owners of the world's largest augmented breasts; crusaders for the right to parade bare-chested in public; and women pining for larger breasts or smaller ones, who may resort to surgery or stranger fixes breast-enhancing gum? She relates the history of the bra and takes us on a quest for the perfect one. Blending careful research and vivid narration, Rachel Shteir captures striptease's combination of sham and seduction while illuminating its surprisingly persistent hold on the American imagination. And she writes throughout with the wisdom and humor of a woman who knows what it is to wield body parts so powerful they can make men crash cars. Rachel Shteir brings to life striptease's Golden Age, the years between the Jazz Age and the Sexual Revolution, when strippers performed around the country, in burlesque theatres, nightclubs, vaudeville houses, carnivals, fairs, and even in glorious palaces on the Great White Way. Striptease is an insightful and entertaining portrait of an art form at once reviled and embraced by the American public. No one is even sure why women have breasts when not pregnant or nursing, but start a conversation about them, Susan Seligson discovered, and every woman, man, child, and drag queen has something to say. Honestly, I was somewhat disappointed, because even when she interviewed members of the porn industry, she talked more to the male Taking us behind the scenes, Shteir introduces us to a diverse cast of characters that collided on the burlesque stage, from tight-laced political reformers and flamboyant impresarios, to drag queens, shimmy girls, cootch dancers, tit serenaders, and even girls next door, lured into the profession by big-city aspirations. She explores the thinking of surgeons who do hundreds of breast implants a year, academics suspicious of our changing standards of femininity, and the editor of Busty Beauties magazine. One hundred and fifty years later Goldie Hawn was gyrating in a gilded birdcage wearing only a Cyr, the s mistress of exotic striptease; and Blaze Starr, the "human heat wave," who literally set the stage on fire. In Stacked, this intrepid 32DDD writer takes us on a journey through a culture where breasts have come to stand for all that is woman. Crystal storm stripper

Crystal storm stripper





Crystal storm stripper





Crystal storm stripper





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5 Comments

  • Mazubei says:

    One hundred and fifty years later Goldie Hawn was gyrating in a gilded birdcage wearing only a

  • Nikokinos says:

    Honestly, I was somewhat disappointed, because even when she interviewed members of the porn industry, she talked more to the male

  • Menris says:

    In Stacked, this intrepid 32DDD writer takes us on a journey through a culture where breasts have come to stand for all that is woman.

  • Bara says:

    One hundred and fifty years later Goldie Hawn was gyrating in a gilded birdcage wearing only a

  • Sasar says:

    Taking us behind the scenes, Shteir introduces us to a diverse cast of characters that collided on the burlesque stage, from tight-laced political reformers and flamboyant impresarios, to drag queens, shimmy girls, cootch dancers, tit serenaders, and even girls next door, lured into the profession by big-city aspirations. She relates the history of the bra and takes us on a quest for the perfect one. And she writes throughout with the wisdom and humor of a woman who knows what it is to wield body parts so powerful they can make men crash cars.

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